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Some notes on an expansive view of Sol LeWitt in three parts

In the third and final part of the series, Esra Plümer Bardak explores the breadth of Sol LeWitt’s artistic productions through his experimentation with diverse techniques and materials, as well as his distinctive, thought driven approach to artmaking. Central to this discussion is LeWitt’s concept of the “avid viewer”, an engaged observer whose interaction with the artwork is essential to its meaning and experience.

PART THREE: Versatility in Sol LeWitt's practice

Stitching Together in Doug Aitken’s Naked Cities

The Rhythmanalysis of Naked City

Doug Aitken’s Naked City (2024) exhibition is an experience that questions the rhythms of the modern city and the individual’s relationship with space. Through the concepts of “rhythmanalysis” and “non-place,” Oktay Orhun offers an in-depth look at the artist’s cinematographic approach.

Some notes on an expansive view of Sol LeWitt in three parts

PART TWO:
The role of printmaking in Sol LeWitt’s oeuvre

Pulse, Reflection, Repetition: Musical Perception in Doug Aitken’s Naked City

Prélude Eternal: Between two realities in art

Ekmel Ertan guides viewers through Borusan Contemporary’s Prélude Eternal exhibition, where art and office life seamlessly intertwine, offering a unique journey between two parallel realities.

An interview with Jérôme Sans on Naked City

Naz Cuguoğlu explores Doug Aitken's Naked City exhibition with curator Jérôme Sans, delving into urban life and modern loneliness.